Wow!
elegant craftsmanship.
Handmade with
a durable white stoneware and finished with a rich stable glaze,
these bowls are made for service and delight.
Did I mention poetically understated?
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Simply seeing encourages me to hold, to weigh the uniqueness of each bowl in my hands, to trace the marks of their maker. Sensual, organic and, ultimately, unpretentiously Human. |
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Black
We call this one black but it is more of a carbonatious charcoal color. The surface of this glaze is a smooth mat sugary type which makes it great to touch and easy to maintain. Aesthetically, black is elegant and formal, suitable for any interior designs and color schemes.
We call this one black but it is more of a carbonatious charcoal color. The surface of this glaze is a smooth mat sugary type which makes it great to touch and easy to maintain. Aesthetically, black is elegant and formal, suitable for any interior designs and color schemes.
Gold
Here is a glaze with a thousand soft shades of yellow to buttery yellow. The surface is a smooth waxy mat which makes it great to touch and easy to maintain. It looks great on its own or in combination with our black glaze. Since this is a very popular color we use it as a standard studio glaze and we keep an open stock which means that you can add more pottery sooner or later.
Here is a glaze with a thousand soft shades of yellow to buttery yellow. The surface is a smooth waxy mat which makes it great to touch and easy to maintain. It looks great on its own or in combination with our black glaze. Since this is a very popular color we use it as a standard studio glaze and we keep an open stock which means that you can add more pottery sooner or later.
Sky Blue
The surface of this glaze is a smooth waxy mat which makes it great to touch but the color is not for the faint of heart. On a cloudy day you'll be looking for this shade of blue. This color is more or less a turquoise blue. Our clay is a white stoneware, smooth like porcelain, and in combination with this medium blue glaze, the color breaks in lighter shades when thin, especially around edges.
The surface of this glaze is a smooth waxy mat which makes it great to touch but the color is not for the faint of heart. On a cloudy day you'll be looking for this shade of blue. This color is more or less a turquoise blue. Our clay is a white stoneware, smooth like porcelain, and in combination with this medium blue glaze, the color breaks in lighter shades when thin, especially around edges.
Avocado green
This waxy mat glaze is similar in touch and feel as above. Any and slight variation on the thickness of this glaze shows a variation in color from a kiwi green to cantaloupe green and everything in between. This color invokes a fresh feeling and based on our experience it makes all food groups look appetizing.
This waxy mat glaze is similar in touch and feel as above. Any and slight variation on the thickness of this glaze shows a variation in color from a kiwi green to cantaloupe green and everything in between. This color invokes a fresh feeling and based on our experience it makes all food groups look appetizing.
Platters
Wheel-thrown on the potter's wheel these beautiful hand-painted platters can be used as chargers for serving food on special occasions, or displayed for pure visual delight. Your living room will never be the same.
I know, your mama told you not to play with your food, but she didn't say you can't be playful. Go ahead make her proud and show her how sophisticated and mature you've grown up to be.
Wheel-thrown on the potter's wheel these beautiful hand-painted platters can be used as chargers for serving food on special occasions, or displayed for pure visual delight. Your living room will never be the same.
I know, your mama told you not to play with your food, but she didn't say you can't be playful. Go ahead make her proud and show her how sophisticated and mature you've grown up to be.
Trays
High-quality porcelain, cast in original molds designed and hand-crafted by Paul Rozman. These trays are designed for double duty. They will behave and act as trays but these trays are deep enough to use as serving bowls. The fun doesn't stop there, these trays are dishwasher safe.
High-quality porcelain, cast in original molds designed and hand-crafted by Paul Rozman. These trays are designed for double duty. They will behave and act as trays but these trays are deep enough to use as serving bowls. The fun doesn't stop there, these trays are dishwasher safe.
Vases
Take a walk on the wild side with these lyrical and romantic porcelain vases. These vases are cast in original molds designed and hand-crafted by Paul Rozman. Hand-painted authentic designs adorn these graceful forms in the tradition of pictorial decoration of the High Renaissance.
Take a walk on the wild side with these lyrical and romantic porcelain vases. These vases are cast in original molds designed and hand-crafted by Paul Rozman. Hand-painted authentic designs adorn these graceful forms in the tradition of pictorial decoration of the High Renaissance.
In his teens, Paul was first introduced to the art world through the medium of
oil paints. After his first pottery course, he became seduced by clay and the
ceramic process. With freshness, integrity, and humour, Paul has managed to
retain his passion, commitment, and focus in what is generally thought of as an
ancient Art form.
Paul Rozman received his Bachelor of Fine Arts degree from the Nova Scotia College of Art and Design, and his Master of Fine Arts degree from the New York State College of Ceramics at Alfred University, Alfred, New York. He has exhibited and taught Ceramic Art extensively throughout Canada and the United States. His work has been featured in Ceramic publications such as The New Majolica, The Ceramic Design Book-Contemporary Studio Ceramics, Best of Pottery I, Best of Pottery II, Tin Glazed Earthenware, Ceramics: Mastering the Craft, and Ceramics Spectrum. His work has been featured numerous times in national and international Ceramics Magazines such as Studio Potter, Ceramics Monthly, Contact Magazine, and Ontario Potter.
Paul Rozman received his Bachelor of Fine Arts degree from the Nova Scotia College of Art and Design, and his Master of Fine Arts degree from the New York State College of Ceramics at Alfred University, Alfred, New York. He has exhibited and taught Ceramic Art extensively throughout Canada and the United States. His work has been featured in Ceramic publications such as The New Majolica, The Ceramic Design Book-Contemporary Studio Ceramics, Best of Pottery I, Best of Pottery II, Tin Glazed Earthenware, Ceramics: Mastering the Craft, and Ceramics Spectrum. His work has been featured numerous times in national and international Ceramics Magazines such as Studio Potter, Ceramics Monthly, Contact Magazine, and Ontario Potter.
My aim is to make living a work of art by transforming the ordinary into
extraordinary. When pottery is used in our daily actions of eating and drinking,
there is an opportunity for meaningful aesthetic experiences. One way to achieve
this is when pots delight us, humour us, and exalt us. Ideas of utility
expressed through these qualities are essential because they invite an emotional
connection. This way indifference is challenged and the user is gracefully
transformed by ordinary actions. The mark of great Art, after all, has the
overwhelming capacity to transform us, not merely inform us. When pottery is
expressed in this manner it has purpose for us and meaning for others.