The elegant simplicity of these bowls is deliberate as their
form allows for a multiple of usages. Available in six different and useful
sizes these bowls can be used for: desert bowls, excellent for soup or salad bowls,
delicious pasta bowls, refreshing salad bowls and juicy fruit bowls.
Please note how these bowls stack for safe storage and the recessed foot separates hot bottoms from the table.

Vase Size: 12.5" high Glaze: Ivory Price:
$475.00
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 "Paul, how can you so brutally trivialize it as
a "Black" glaze? I see a shimmering titanium, carboniferous,
graphite-like veil. Deep, glowing, mysterious. Wow. A Serious
Surface. I could go on and on. Simply seeing encourages me to
hold, to weigh the uniqueness of each in my hands, to trace the
marks of their maker. Sensual, organic and, ultimately,
unpretentiously Human. Do I sound like a satisfied customer? My thanks, David" |
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Dessert bowl |
6" Diameter |
Price: $20.00 |
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bowl to cart >>
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Soup salad bowl |
7.5" Diameter |
Price: $24.00 |
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bowl to cart >>
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Rice bowl |
9.5" Diameter |
Price: $38.00 |
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bowl to cart >>
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Pasta bowl |
10.5" Diameter |
Price: $58.00 |
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bowl to cart >>
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Salad bowl |
13" Diameter |
Price: $110.00 |
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bowl to cart >>
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Fruit bowl |
14" Diameter |
Price: $140.00 |
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bowl to cart >>
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Black
We call this one black but it is more of a carbonatious charcoal color.
The surface of this glaze is a smooth mat sugary type which makes it great to
touch and easy to maintain. Aesthetically, black is elegant and formal,
suitable for any interior designs and color schemes.
Gold
Here is a glaze with a thousand soft shades of yellow to buttery yellow. The
surface is a smooth waxy mat which makes it great to touch and easy to maintain.
It looks great on its own or in combination with our black glaze. Since
this is a very popular color we use it as a standard studio glaze and we keep an
open stock which means that you can add more pottery sooner or later.
Sky Blue
The surface of this glaze is a smooth waxy mat which makes it great to touch but
the color is not for the faint of heart. On a cloudy day you'll be looking for
this shade of blue. This color is more or less a turquoise blue. Our clay is a
white stoneware, smooth like porcelain, and in combination with this medium blue
glaze, the color breaks in lighter shades when thin, especially around edges.
Avocado green
This waxy mat glaze is similar in touch and feel as above. Any and slight
variation on the thickness of this glaze shows a variation in color from a kiwi
green to cantaloupe green and everything in between. This color invokes a fresh
feeling and based on our experience it makes all food groups look appetizing.
Platters
Wheel-thrown on the potter's wheel these beautiful hand-painted platters can be
used as chargers for serving food on special occasions, or displayed for pure
visual delight. Your living room will never be the same. I know, your mama
told you not to play with your food, but she didn't say you can't be playful. Go
ahead make her proud and show her how sophisticated and mature you've grown up
to be.
Trays
High-quality porcelain, cast in original molds designed and hand-crafted by Paul
Rozman. These trays are designed for double duty. They will behave and act as
trays but these trays are deep enough to use as serving bowls. The fun doesn't
stop there, these trays are dishwasher safe.
Vases
Take a walk on the wild side with these lyrical and romantic porcelain vases.
These vases are cast in original molds designed and hand-crafted by Paul Rozman.
Hand-painted authentic designs adorn these graceful forms in the tradition of
pictorial decoration of the High Renaissance.

In his teens, Paul was first introduced to the art world through the medium of
oil paints. After his first pottery course, he became seduced by clay and the
ceramic process. With freshness, integrity, and humour, Paul has managed to
retain his passion, commitment, and focus in what is generally thought of as an
ancient Art form.
Paul Rozman received his Bachelor of Fine Arts degree from the Nova Scotia
College of Art and Design, and his Master of Fine Arts degree from the New York
State College of Ceramics at Alfred University, Alfred, New York. He has
exhibited and taught Ceramic Art extensively throughout Canada and the United
States. His work has been featured in Ceramic publications such as The New
Majolica, The Ceramic Design Book-Contemporary Studio Ceramics,
Best of Pottery I, Best of Pottery II, Tin Glazed Earthenware,
Ceramics: Mastering the Craft, and Ceramics Spectrum. His work has
been featured numerous times in national and international Ceramics Magazines
such as Studio Potter, Ceramics Monthly,
Contact Magazine, and Ontario Potter.
My aim is to make living a work of art by transforming the ordinary into
extraordinary. When pottery is used in our daily actions of eating and drinking,
there is an opportunity for meaningful aesthetic experiences. One way to achieve
this is when pots delight us, humour us, and exalt us. Ideas of utility
expressed through these qualities are essential because they invite an emotional
connection. This way indifference is challenged and the user is gracefully
transformed by ordinary actions. The mark of great Art, after all, has the
overwhelming capacity to transform us, not merely inform us. When pottery is
expressed in this manner it has purpose for us and meaning for others.
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